Previous Publications
The Grotesque Dancer on the Eighteenth-Century Stage: Gennaro Magri (No. 23)
Reinventing Dance in the 1960s: Everything Was Possible (No.22)
Liebe Hanya: Mary Wigman's Letters to Hanya Holm (No. 21)
Fedor Lopukhov: Writings on Ballet and Music (No. 20)
Dancing Many Drums: Excavations in African American Dance (No. 19)
Dancing Desires: Choreographing Sexualities on and off the Stage (No. 18)
José Limón: An Unfinished Memoir (No. 17)
Dance for Export: Cultural Diplomacy and the Cold War (No. 16)
Rethinking the Sylph: New Perspectives on the Romantic Ballet (No. 14/15)
Ned Wayburn and the Dance Routine: From Vaudeville to the Ziegfeld Follies (No. 13)
The Making of a Choreographer: Ninette de Valois and Bar aux Folies-Bergère (No. 12)
Balanchine Pointework** (No. 11)
PERIODICAL PUBLICATION
Dancing in Montreal: Seeds of a Choreographic History (Vol. 5, No. 2)
Of, by, and For the People: Dancing on the Left in the 1930s (Vol. 5, No. 1)
Carlo Blasis in Russia (1861-1864) (Vol. 4, No. 2)
The Origins of the Bolero School** (Vol. 4, No. 1)
Looking at Ballet: Ashton and Balanchine, 1926-1936** (Vol. 3, No. 2)
The Diaries of Marius Petipa** (Vol. 3, No. 1)
The Technique of Martha Graham** (Vol. 2, No. 2)
Theleur's Letters on Dancing** (Vol. 2, No. 1)
The Playford Ball** (Vol. 1, No. 2)
Tamiris in Her Own Voice** (Vol. 1, No. 1)
** indicates issues now out of print