Pages
Title
Author
pp. 1-2
Choreography, Aesthetics, and State Violence
Mark Franko
pp. 3-25
German Gymnastics, Modern German Dance, and Nazi Aesthetics
Marion Kant
pp. 26-43
Wigman’s Witches: Reformism, Orientalism, Nazism
Alexandra Kolb
pp. 44-60
Dancing Argentine Modernity: Imagined Indigenous Bodies on the Buenos Aires Concert Stage (1915–1966)
Victoria Fortuna
pp. 61-79
Dance, Sexuality, and Utopian Subversion Under the Argentine Dictatorship of the 1960s: The Case of Oscar Aráiz’s The Rite of Spring and Ana Itelman’s Phaedra
Juan Ignacio Vallejos
pp. 80-94
Dance as Documentary: Conflictual Images in the Choreographic Mirror (On Archive by Arkadi Zaides)
Frédéric Pouillaude
pp. 95-98
To Be Continued: An Exchange on Tiffany Barber’s “Ghostcatching and After Ghostcatching, Dances in the Dark”
Alessandra Nicifero
pp. 103-110
French Interwar Dance Theory
Mark Franko
pp. 111-116
Indian Modern Dance, Feminism, and Nationalism by Prarthana Purkayastha (review)
Anurima Banerji
pp. 116-119
Dancing Genius: The Stardom of Vaslav Nijinsky by Hanna Järvinen (review)
Carrie Gaiser Casey
pp. 119-121
Multiplicity, Embodiment and the Contemporary Dancer: Moving Identities by Jennifer Roche (review)
Vida Midgelow
pp. 121-124
Motion and Representation: The Language of Human Movement by Nicolas Salazar Sutil (review)
Eric Mullis