Pages
Title
Author
pp. 1-4
Editor’s Notes
Helen Thomas
pp. 7-10
Dance in the Present; Dance in the Past
Danielle Goldman
pp. 10-13
Finding “The Life in the Work” a/in Tribute to Mark Franko
Rebekah J. Kowal
pp. 13-16
“To See Theory at Work in the Body”: Mark Franko’s Politics for DanceStudies (or: Mark-ed)
André Lepecki
pp. 17-19
Dance in the Museum Redux: Monica Bill Barnes and The MuseumWorkout
Gay Morris
pp. 19-22
The Choreographer’s Apprentice
Holly Buttimore
pp. 24-46
The Bennington Summer School of the Dance Oral History Project, 1978–1979: A History of Sensibilities
Sanja Andus L’Hotellier
pp. 47-66
An Enhanced Otherworldliness: Thierry De Mey’sScreendance Based on William Forsythe’s One FlatThing, reproduced
Wesley Lim
pp. 67-79
Noa Eshkol and the Idea of a Chamber Dance Group
Sally Gardner
pp. 80-101
Choreographing American Dance Archives: Artist-DrivenArchival Projects by Eiko & Koma, Bebe Miller Company, andJennifer Monson
Rosemary Candelario
pp. 103-111
Mark Morris: Musician-Choreographer
Stephanie Jordan.
pp. 113-116
Queer Dance: Meanings and Makings (Review)
Clare Croft
pp. 116-118
Performing Queer Modernism (Review)
Penny Farfan
pp. 118-121
La Querelle des Pantomimes:Danse, culture, et société dansl’Europe des Lumières (Review)
Arianna Fabbricatore
pp. 123-124
Books Received