Pages
Title
Author
pp. 1-2
Editor’s Note
Helen Thomas
pp. 3-25
Swans in Sugarcane fields: Proletarian Ballet Dancers and The Cuban Revolution’s Industrious New Man
Lester Tomé
pp. 26-43
Gaga as Metatechnique: Negotiating Choreography, Improvisation, and Technique in a Neoliberal Dance Market
Meghan Quinlan
pp. 44-61
Walking with the Self: Zab Maboungou’s Interventions Against Eurocentrism Through Contemporary African Dance
Melissa Templeton
pp. 62-78
Effacing Rebellion and Righting the Slanted: Declassifying the Archive of MacMillan’s (1965) and Shakespeare’s (1597) Romeo and Juliets
Brandon Shaw
pp. 79-95
Representing Soldiers to Soldiers Through Dance: Authenticity, Theatricality, and Witnessing The Pain of Others
Matthew Reason
pp. 97-100
Trisha Brown: Choreography as Visual Art by Susan Rosenberg (Review)
Rebecca Chaleff
pp. 100-104
Like a Bomb Going Off: Leonid Yakobson and Ballet as Resistance in Soviet Russia by Janice Ross (Review)
Hanna Järvinen
pp. 104-106
Dramaturgy in the Making: A User’s Guide for Theatre Practitioners by Katalin Trencsényi (Review)
Randi Evans
pp. 107-108
Flowers Cracking Concrete: Eiko & Koma’s Asian/American Choreographies by Rosemary Candelario (Review)
Mana Hayakawa
pp. 109-111
Blackpentecostal Breath: The Aesthetics of Possibility by Ashon Crawley (Review)
Jasmine Johnson
pp. 112-114
Embodied Philosophy in Dance: Gaga and Ohad Naharin’s Movement Research by Einav Katan (review)
Melissa Melpignano
pp. 115-116
Books Received