Pages
Title
Author
pp. 4-5
Preface
Anurima Banerji and Royona Mitra
pp. 6-9
Opening Words
Takiyah Nur Amin
pp. 10-12
Black Women Respond to a Double Pandemic:”The Emotional W(ait)eight”
Crystal U. Davis and Nyama McCarthy-Brown
pp. 13-15
The Politics of Naming the South Indian Dancer
Nrithya Pillai
pp. 16-19
It is Time for a Caste Reckoning in Indian”Classical” Dance
Anusha Kedhar
pp. 20-21
Discussing the Undiscussable, Part 2;or, This Might Hurt Your Feelings
Nadine George-Graves
pp. 22-24
2019 Gathering Introductory Remarks
Anurima Banerji and Royona Mitra
pp. 25-27
Black Laws of Dance
Jasmine Johnson
pp. 28-30
The Problem with “Dance”
Prarthana Purkayastha
pp. 31-35
RUXIMIK QAK’U’X: Inextricable Relationalitiesin Mayan Performance Practice
Maria Firmino-Castillo
pp. 36-38
Decentering Choreography: Natya as Postcolonial Performance-making
Cynthia Ling Lee
pp. 39-42
Dancing on Violent Ground: George Balanchine and Urban Depopulation
Arabella Stanger
pp. 43-45
Women Dancers and Morality in Bangladesh
Munjulika Tarah
pp. 46-48
Marie Bryant’s Demonstrative Body and the Reproductive Labor of Transmitting Technique
Anthea Kraut
pp. 49-50
Decolonizing Gender Binaries, Decolonizing “Care”
Clare Croft
pp. 51-53
(Home) Training in Breaking Culture
Imani Kai Johnson
pp. 54-56
Performing Performative Decolonizing
Shanti Pillai
pp. 57-59
The Materiality of Knowledge in FilipinoMartial Arts Training
Janet O'Shea
pp. 60-62
Love and “Looking”: Rituals of Immersion
Melissa Blanco Borelli
pp. 63-74
Bibliography, Contributors, News